Date: 07 JUL 95 02:02:00 
From: cal_hplb_hpl_hp_com@hms.com
Newgroups: alt.magick
Subject: 05:Kabbalah FAQ 

they have observed that from a biological point of view, the male
"gives", and the female "receives", and have given the sephira
Chokhmah the title "Father" and the sephira Binah the title "Mother".
In time, this distinction between male and female has been lost, and
carelessness has lead to the substitution of masculine and feminine,
whith entirely changes the original meaning.

A second difficulty is caused by a common tendency in people to use
the astrological correspondence of a planet as the primary means for
understanding a sephira, so that for many people, Gevurah and Mars are
synonymous.  This is equivalent to saying that because a sunflower
reminds me of the sun, the sun *is* a sunflower.  The fact that one is
a luminous ball of gas and the other is a plant with yellow petals
should give a clue as to the magnitude of this kind of error.  The
metaphorical relationship between the sephira Tipheret and the sun is
no closer than that between the sun and a sunflower.  Likewise the
relationship between Gevurah and Mars, and between Netzach and Venus -
this is an example of the finger pointing at the moon:  look at the
finger and you don't see the moon.

What follows is a very brief characterisation of each sephiroth, with a
brief rational  for the corresponding planetary association.

Kether:        Unity
Chokhmah:      Unconditioned Creativity
Binah:         Possibility of Boundaries
Chesed:        Conditioned Creativity
Gevurah:       Response to Boundaries
Tipheret:      Self-Consciousness
Netzach:       Response to Creativity
Hod:           Appreciation of Boundaries
Yesod:         Ego
Malkuth        Diversity

This is an abstract approach which concentrates on the polarity of
force/creativity and form.  In Kabbalah this is expressed as the
polarity of Chokhmah and Binah.  Chokhmah is the unconditioned
creativity that explodes out of unity of Kether.  Binah is concealed
in this duality, in the separation between Kether and Chokhmah, and
expresses the possibility of duality, of separation between one thing
and another.  Binah is the Mother of Form, the root of separation
which forms the basis for all distinctions and fininteness.  The
Mother receives the creative outpouring of Chokhmah and gives birth to
it in Chesed.  Chesed reflects the creativity of Chokhmah, but is
conditioned by the boundaries and distinctions of Binah.  Chesed
creates within the realm of the possible; Binah defines what *is*
possible.

Gevurah is the response to boundaries.  Chesed wants to move existing
boundaries around, and Gevurah is the response to that.  This response
is typically reactionary, a defense of the status quo, an attempt to
keep the boundaries where they were.  Chesed is active - it changes
the status quo.  Gevurah is receptive - it takes the existing status
quo and defends it.

Netzach is the response to creativity.  It is the place of aesthetic
judgements, of likes and dislikes, of passions for this and that.  It
is the adulation of a fan for a band, or an artist, or a polititian.
Hod is the appreciation of boundaries, a passion for classifation,
rules, detail, hair-splitting definitions.  Netzach is active;
feelings tell us what we should like.  Feelings direct our behaviour.
Hod is receptive, in that it elaborates what it is given.

The more confusing planetary associations should now (I hope) be
clearer.  Saturn is the sphere of limitation, old age, death, and
corresponds to Binah, the Mother of Form, from whose womb all
finiteness comes.  Jupiter, the leader, corresponds to Chesed.  Mars
(as the warrior defending the law and the State) corresponds to
Gevurah (but not Mars as the bloodthirsty berserker - this is an
aspect of Chesed).  Venus, the romantic aesthete, goddess of love and
sensual beauty, corresponds to Netzach. Mercury, the god of trade, science,
communication, medicine, discourse, trickery, corresponds to Hod.

Do not expect to find a detailed consistency between a sephira and its
planetary correspondence: the sun is not a sunflower. There is a
subtlety and generality, not to mentioned coherency, in the idea of
sephirotic emanation which is not to be found in the planetary 
correspondences.
+++

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Section 3:          A POTTED HISTORY OF KABBALAH
---------------------------------------------------------------------

Kabbalists  and  scholars  disagree on the date of the  origins of the
Kabbalah.  Many  Kabbalists  trace the tradition back to 1st.  century
A.D.  Palestine.  Scholars  tend to identify  Kabbalah  with  specific
ideas  which  emerged in 12th.  century  Provence  in the school of R.
Isaac the Blind, who has been  called "the father of  Kabbalah".  What
is abundantly  clear  however is that there is a continuous  thread of
Jewish  mysticism  running from early  times, and these  strands  have
become so intertwined with Kabbalah that it is difficult to know where
one ends and  another  begins.  For  example,  the highly  influential
text, the "Sepher Yetzirah", was the subject of widespread  commentary
by medieval  Kabbalists but the text may have been written as early as
the 1st.  century.  Again, ideas from Jewish  Gnosticism from the 2nd.
and 3rd.  centuries have also become deeply embedded in Kabbalah.

The earliest documents associated with Kabbalah come  from the  period 
~100 to ~1000 A.D. and describe the attempts  of "Merkabah" mystics to 
penetrate  the seven halls (Hekaloth)  of creation in order  to  reach 
the  Merkabah (throne-chariot) of  God.  These mystics appear to  have 
used  what  would now be recognised as familiar methods  of  shamanism  
(fasting,  repetitious  chanting,  prayer,  posture) to induce  trance  
states  in which they literally fought their way past terrible   seals 
and  guards to reach an ecstatic state in which they  "saw   God".  An 
early  and highly influential document,  the  "Sepher   Yetzirah",  or 
"Book of Formation", originated during the earlier part of this period.

By the early Middle Ages further,  more theosophical developments  had 
taken place, chiefly a description of "processes"  within God, and the 
development of an esoteric view of creation as a process in which  God 
manifests in a series of emanations,  or sephiroth.  This doctrine  of 
the  sephiroth  can  be found  in a rudimentary form  in  the  "Sepher 
Yetzirah",  but by the time of  the publication of the book "Bahir" in 
the  12th.  century it had  reached a form not too different from  the 
form it takes today.  

A  motive behind the development of the doctrine of emanation  can  be 
found in the questions:
 
     "If  God  made the world,   then what is the world if it  is  not 
     God?" 

     "If the world is  God, then why is it imperfect?" 

It  was necessary to bridge the  gap between a pure and perfect  being 
and a manifestly  impure and imperfect world by a series of "steps" in 
which  the divine light was successively diluted.  The result has much  
in  common with neoplatonism,  which also tried to resolve  the   same 
difficulty  by postulating a "chain of being" which  bridged  the  gap 
between  the perfection of God,  and the evident imperfection  of  the 
world of daily life.

One of most interesting characters from this early period was  Abraham 
Abulafia  (1240-1295),  who believed that God cannot be  described  or 
conceptualised  using  everyday  symbols.  Like   many  Kabbalists  he 
believed  in  the  divine  nature of the   Hebrew  alphabet  and  used 
abstract  letter combinations and  permutations ("tzeruf") in  intense 
meditations lasting many hours to  reach ecstatic states.  Because his 
abstract  letter  combinations  were used as keys or entry  points  to 
altered  states  of  consciousness,   failure  to  carry  through  the 
manipulations correctly could have a drastic effect on the  Kabbalist. 
In "Major  Trends in Jewish Mysticism" Scholem includes a  fascinating  
extract from a description of one such experiment. Abulafia is unusual 
because (controversially) he was one of the few Kabbalists to  provide 
explicit written details of practical techniques.

The most influential Kabbalistic document,  the  "Sepher ha Zohar"  or 
"Book  of Splendour",  was published by Moses de Leon  (1238-1305),  a 
Spanish  Jew,  in the latter half of the thirteenth century. The Zohar 
is  a   series  of separate documents covering a wide  range  of  sub- 
jects, from a verse-by-verse esoteric commentary on the Pentateuch, to 
highly theosophical descriptions of processes within  God.  The  Zohar 
has  been  widely read and was highly  influential  within  mainstream 
Judaism.

An important development in Kabbalah was the Safed school of   mystics 
headed  by Moses Cordovero (1522-1570) and his successor Isaac   Luria 
(1534-1572). Luria, called "The Ari" or Lion, was a highly charismatic 
leader  who  exercised   almost total control over  the  life  of  the 
school, and has passed  into history as something of a saint. Emphasis 
was  placed on  living in the world and bringing the consciousness  of 
God   through  *into* the world in a  practical  way.  Practices  were  
largely devotional.

Throughout the seventeenth and eighteenth centuries Judaism as a whole 
was  heavily  influenced by Kabbalah,  but two influences  caused  its 
decline.  The first event was the mass defection of Jews to the  cause 
of the heretic and apostate pseudo-messiah Shabbatai Tzevi (1626-1676), 
an  event  Scholem  calls "the largest and  most  momentous  messianic 
movement in Jewish history subsequent to the destruction of the Temple 
and  the Bar Kokhba Revolt." The Shabbateans included  many  prominant 
rabbis   and  Kabbalists,   and  from  this  point   Kabbalah   became 
inextricably mired with suspicions of heresy.  A second influence  was 
the  rise  in Eastern Europe of a populist Kabbalism in  the  form  of 
Hasidism,  and its eventual decline into superstition, so that by  the 
beginning of this century a Jewish writer was able to dismiss Kabbalah 
as an historical curiousity. Jewish Kabbalah has vast literature which 
is almost entirely untranslated into English.

A  development  which  took  place  almost  synchronously   with   the 
translation  and publication of key texts of Jewish  Kabbalah was  its 
adoption  by  many  Christian  mystics,   magicians  and  philosphers.
Some Christians thought Kabbalah held keys that would reveal mysteries 
hidden  in the scriptures,  others tried to find in Kabbalah  doctrines 
which might be used to convert Jews to Christianity. There were some
who recognised in Kabbalah themes with which they were already familiar
in the literature of Hermeticism and Neoplatonism. 
 
The key  figure  in what  has  been  called  "Christian  Kabbalah"  is
Giovanni Pico, Count of Mirandola.  The liberal atmosphere in Florence
under the  patronage  of the Medici  family  provided a haven for both
Jewish  scholars  (usually  employed as translators or physicians) and
humanist  philosophers.  The fall of Byzantium  provided a rich source
of Greek  texts  such as works  of Plato  and the  Corpus  Hermiticum.
Della Mirandola not only popularised Kabbalah, but influenced humanist
scholars such as Johannes Reuchlin to learn Hebrew and study important
source   texts.   Kabbalah   was   progressively   bundled   in   with
pythagoreanism,  neo-platonism, hermeticism and rosicrucianism to form
a snowball which continued to pick up traditions as it rolled down the
centuries.  It is probably  accurate to say that from the  Renaissance
on, virtually all European occult  philosophers  and magicians of note
had a working knowledge of some aspect of Kabbalah.

Non-Jewish  Kabbalah  has suffered  greatly from having only a limited
number of source texts to work from, often in poor  translations,  and
without the key  commentaries  which would have revealed the tradition
associated with the concepts  described.  It is pointless to criticise
non-Jewish Kabbalah (as many writers have) for misinterpreting  Jewish
Kabbalah; it should be  recognised as a parallel  tradition  with many
points of correspondence and many points of difference.

Very little information has survived about the Practical Kabbalah, but 
there is abundant evidence that it involved a wide range of  practices 
and included practices now regarded as magical - the fact that so many 
Kabbalists  denounced  the  use of Kabbalah for  magical  purposes  is 
evidence in itself (even if there were no other) that the use of these 
techniques  was  widespread.  It  is highly likely  that  many  ritual 
magical techniques were introduced into Europe by Kabbalists or  their 
less  scrupulous camp followers.  The most important medieval  magical 
text is the "Key of  Solomon", and it contains the elements of classic 
ritual magic -  names of power,  the magic circle,  ritual implements, 
consecration,  evocation of spirits etc.  No-one knows how old it  is, 
but  there is a reasonable suspicion that its contents preserve  tech- 
niques which might well date back to Solomon.

The combination of non-Jewish Kabbalah and ritual magic  has been kept 
alive  outside Judaism until the present day,   although it  has  been 
heavily adulterated at times by hermeticism, gnosticism, neoplatonism, 
pythagoreanism,  rosicrucianism,  christianity,  tantra and so on. The 
most  important  "modern" influences are the French  magician  Eliphas 
Levi,   and  the  English "Order of the Golden  Dawn".  At  least  two  
members  of  the  Golden Dawn (S.L.  Mathers  and  A.E.  Waite)   were 
knowledgable   Kabbalists,   and  three  Golden  Dawn   members   have 
popularised Kabbalah - Aleister Crowley,  Israel  Regardie,  and  Dion 
Fortune.  Dion Fortune's "Order of the  Inner Light" has also produced 
a number of authors:  Gareth  Knight, William Butler, and William Gray 
to name but three.

An unfortunate  side effect of the Golden Dawn is that while  Kabbalah
was an important part of its "Knowledge  Lectures",  surviving  Golden
Dawn  rituals  are a  syncretist  hodge-podge  of  symbolism  in which
Kabbalah  seems to play a minor or  nominal  role, and this has led to
Kabbalah being seen by many modern occultists as more of a theoretical
and intellectual  discipline,  rather than a potent and self-contained
mystical and magical system in its own right.

Some  of the originators of modern witchcraft (e.g.  Gerald   Gardner, 
Alex  Saunders)  drew  heavily on medieval ritual  and   Kabbalah  for 
inspiration,  and  it is not unusual to find modern  witches  teaching 
some  form  of  Kabbalah,  although it is  generally  even  less  well 
integrated  into practical technique than in  the case of  the  Golden 
Dawn.

To  summarise,  Kabbalah  is a mystical and magical  tradition   which 
originated  nearly  two  thousand years ago and  has  been   practiced 
continuously during that time.  It has been practiced  by Jew and non-
Jew  alike for about five hundred years.  On the  Jewish side  it  has 
----
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